126 Shortcuts to take your songs from good to great!

Archive for January, 2009

Speaking of Genres…

Sunday, January 25th, 2009

Robin Frederick (author, “Shortcuts to Hit Songwriting”)

I recently read an article about Gracenote, the company that delivers info to your iPod and computer music player that tells you what song you’re listening to by which artist. The article offers an insight into something I wrote in a recent post about the importance of music genres. Here’s an excerpt from the Gracenote article…

“Gracenote’s genre classification system enables listeners to get the most out of their music collections by enabling them to automatically select the type of music they want to listen to, whether it’s “Jazz,” “Rock” or “Dance.” Created using an analysis of user preferences combined with the expertise of Gracenote’s music editorial team, Gracenote genre classifications enable developers to provide a tried-and-true list of music categories that simplify and enhance the user listening experience. Gracenote genre classifications also make it easy for users to organize and sort music, create customized playlists and discover new music, helping them enjoy the overwhelming amount of digital music now readily available.” (Market WIre)

 

So Gracenote is going to decide what genre your song is in. I notice this is based on a combination of “analysis of user preferences” — read ‘software program’ — and “Gracenote’s music editorial team” — read ‘REAL PEOPLE’!!! Yes, real people are going to listen to your music and classify it! It will then be organized for listeners, even delivered to new listeners, who like that genre.

 

But what if it’s not clear what genre your song is in? What if a member of Gracenote’s “music editorial team” puts you in Easy Listening when you really want to be in Rock?  What if you are in a 1980s-sort-of-funky-folk-thing genre and the music editorial team doesn’t know where to put you?

 

Try deciding ahead of time what genre you think is the best fit for you. Be honest. Listen to your music like an audience member. If you can’t do that, try asking a few acquaintances or even strangers who they think you sound like. (Don’t ask close friends and family. They’ll just tell you what you want to hear!) 

 

Truth is, each of the mainstream genres is flexible. A Pop/Rock song may fit into the Rock genre or the Pop genre. But there is a core sound that defines many of the hits in each style. Spend some quality time listening to and studying the hit songs at the top of the charts in the genre you want to be in. Do your songs sound similar in some ways? In many ways? In no ways? Maybe you could add a few more of these elements to your song before you record it, and then aim your production in the same direction to add even more strength. 

 

Think like a listener. Put together a playlist of hit songs in a given genre and drop your song into the middle. Play your playlist in the car. When your song comes on, does the flow of music continue or is it interrupted in an uncomfortable way? Genres are about the listener, making the experience of listening to music an enjoyable one. To help Gracenote, as well as radio programmers and listeners, create that flow, blend the elements of a given genre into your song and sound. 

Based on “Shortcuts to Hit Songwriting” by Robin Frederick

Copyright 2008 Robin Frederick. All rights reserved.

Build Your Song the Hard Hat Way

Monday, January 12th, 2009

Robin Frederick (author, Shortcuts to Hit Songwriting)

 

Let’s say that you’ve decided to build a house. You’ve gathered a big pile of lumber and you’ve got  a hammer and some nails. Good, that’s a start! But if that’s ALL you have, your house is probably going to end up looking very strange. Without a saw, a screwdriver, a level, and the rest of the homebuilder’s toolbox, your house will look very odd indeed. If you try to sell this house, most buyers won’t be interested. For some reason, they seem to like solid construction, square windows, and a door that works. 

 

It’s the same with songs. Your ideas, creativity, and imagination are the raw material, the lumber, from which you’ll build your song. But if you don’t have all the tools you need, your song is likely to end up sounding odd or uninteresting or so strange that listeners can’t find their way in. Songwriting tools can help you create a song that works for listeners, helping them feel the emotion, understand the situation, and identify with the singer. At the same time, the raw material you start with will ensure that the song is YOUR song, expresses what YOU feel.  

 

So put on your hard hat and assemble your songwriting tools. Here are just a few:

 

USE A SONG STRUCTURE: You wouldn’t build a house without a blueprint, so don’t build a song without a clear plan for the structure. The vast majority of today’s hit songs feature a verse and chorus structure that looks something like this: Verse / Chorus / Verse / Chorus / Bridge / Chorus. Listeners like this structure; it has enough variety to keep them interested and enough repetition to make them feel comfortable. Using this structure won’t make you sound like everyone else because you’re going to fill it in with YOUR thoughts and YOUR inspiration. 

 

USE IMAGES AND DETAILS TO COMMUNICATE THE SITUATION: Instead of saying “I remember that night,” try to show your listeners that night! They weren’t there. They don’t know anything about it. Let your listeners be inside the scene by telling them what the surroundings looked like, who was there, what they did, what they looked like. Choose those details that sum up the essence of what happened and the feelings that were going on.  

 

UNDERSCORE YOUR LYRIC WITH YOUR MELODY: Think of your melody like the music underneath a scene in a movie. Watch a few films with big scores, like Titanic, Notice how the music rises when the emotion intensifies. Now try something similar in your song. When you get to your chorus, which is where the big emotions in a song are often focused, try a melody line that slowly rises or suddenly leaps tgo a high note or changes pace.

 

These are just three tools you can use; there are dozens more (126 in my book “Shortcuts to HIt Songwriting”). But this isn’t about memorizing or parroting some rules! Pick a couple of these ideas and and go write a song using them. Just as a builder uses some tools every day and others only occasionally, there are some songwriting tools you will use more than others. 

 

When we listen to songs, they seem somehow magical and effortless.  It’s easy to forget that in addition to inspiration and emotion, it takes knowledge and hard work to build an effective song — the kind listeners will want to “move into.” So put on your hard hat, assemble your tools, look at your ideas as raw material, and get started!

 

Based on “Shortcuts to Hit Songwriting” by Robin Frederick 

Copyright 2008 Robin Frederick. All rights reserved.